Conversations with Bach

Sunday October 2 2022

Lympstone Parish Church
Details to follow

In 1720 Bach completed his six Sonatas and Partitas for solo violin. In the same year, Francesco Goffriller made the beautiful violin currently owned by Krysia Osostowicz.
   In 2020, to celebrate the 300th anniversary both of Bach’s works and of her violin, Krysia Osostowicz will perform the entire Sonatas and Partitas in a set of three recitals. In addition, she has invited two renowned and music-loving writers, Polish author Eva Hoffman and Hungarian-born poet George Szirtes, to respond to Bach’s music with brief commentaries in poetry and prose.
   For violinists, Bach’s Sonatas and Partitas are like Shakespeare: open to many interpretations, they pose multiple technical and musical challenges whilst expressing a vast range of human emotions and experience.
   Responding to the Partitas, George Szirtes’ poems play with Bach’s dance forms, creating parallel dances with words. Eva Hoffman addresses her own questions to Bach, reflecting on the spiritual and social aspects of his music, and building up a picture of the composer’s life and times. Meanwhile, Bach’s Sonatas and Partitas are heard afresh, speaking effortlessly to us across 300 years.
   Krysia has delighted us in the past with her wonderful playing as part of the Dante Quartet.This year she has brought together a different group of artists.
      She writes, ‘My little team is greatly looking forward to coming to play for you in Lympstone on 7th June.
It’s been a pleasure to create this unusual programme of music and words. Bach’s music is interspersed with George Szirtes’ wonderful Bach-inspired poems, while Eva Hoffman’s personal thoughts on Bach provide a unifying narrative and a cultural context. The programme runs continuously, without gaps or applause, for 75 mins. Gradually a picture is formed of Bach’s life and world-view, while he speaks to us vividly through the actual music (echoes of the Dante Beethoven project!). David and I have selected our favourite movements from Bach’s Cello Suites in G and in E flat, and from the Violin Sonatas and Partitas including the Fugue in G minor and culminating in the great Chaconne.


Born in London of Polish descent, Krysia Osostowicz studied at the Yehudi Menuhin School, at Cambridge and in Salzburg with the great Hungarian violinist Sándor Végh. In 1995 she founded the Dante Quartet, recognised as one of Britain’s finest ensembles and recipient of the Royal Philharmonic Society Award for Chamber Music. She has performed throughout Europe, and made many award-winning recordings, including the sonatas of Bartók, Brahms and Ravel, and the string quartets of Debussy, Janáček and Kodály. In the 1980’s she was a founder of the pioneering piano quartet Domus, which travelled the world with its own portable concert hall, a geodesic dome. Krysia runs chamber music courses in England and France, and is much in demand as a teacher at the Guildhall School of Music. She is also artistic director of the thriving Dante Summer Festival in Cornwall. In 2015, with pianist Daniel Tong, Krysia created Beethoven Plus, presenting Beethoven’s violin sonatas alongside companion pieces by ten living composers. The duo has toured all around the UK and recorded the entire cycle on the SOMM label. Krysia’s long-standing interest in creative ways of combining music and words has resulted in Conversations with Bach.

Performances of flawless integrity and insight – BBC Music Magazine


David Waterman was born into a musical family in Leeds. He studied philosophy at Trinity College, Cambridge, and cello with Martin Lovett, William Pleeth and Jane Cowan. In 1979 he helped to form the Endellion Quartet which has played all over the world, broadcast countless times on BBC Radio and TV, and recorded for many major labels. Recent recordings include the complete cycle of Beethoven quartets for Warner Classics. For twenty-seven years, they have been Quartet-in-Residence at Cambridge, and in 1996 were awarded the Royal Philharmonic Society Award for Best Chamber Ensemble.

David Waterman has also performed chamber music with members of the former Amadeus Quartet, the Chilingirian, Belcea and Elias Quartets, Joshua Bell, Michael Collins, Isabelle Faust, Ivry Gitlis, Steven Isserlis, Stephen Kovacevic, Mark Padmore, Sandor Vegh and Tabea Zimmerman, among others.

He has taught at the Yehudi Menuhin School, the Royal Northern College of Music, the Guildhall, the Royal Academy of Music, the Britten-Pears Foundation, and at IMS at Prussia Cove. In 2003 he contributed a chapter to the “Cambridge Companion to the String Quartet”, and has also had articles published in The Guardian, Strad Magazine and other publications. He feels very fortunate to play on a wonderful cello by J.B. Guadagnini which he jointly owns and shares with his friend, Steven Isserlis.


Eva Hoffman grew up in Cracow, Poland and studied music at the Cracow Music Conservatory before emigrating in her teens to Canada and the United States, and eventually settling in Great Britain.  After receiving her Ph. D. in literature from Harvard University, she worked as senior editor and cultural critic at The New York Times, and has taught at various British and American universities. Her books, which have been widely translated, include Lost in Translation, Exit Into History, After Such Knowledge and Time, as well as two novels, The Secret and Illuminations (published as Appassionata in the US).  She has written and presented numerous programmes for BBC Radio and conceived a series of programmes at the South Bank on Writing and Music. Her awards include the Guggenheim Fellowship, Whiting Award for Writing, an award from the American Academy of Arts and Letters and Prix Italia for Radio, for work combining text and music.  She is a Fellow of the Royal Society of Literature, and is currently a Visiting Professor at the European Institute at UCL.  She lives in London.

Hoffman, whose early training was as a pianist, writes about music and musicianship with poetry and precision, wit and melancholy. – New York Times review of “Appassionata”.


A child refugee from Hungary in 1956, George Szirtes lives in the UK and published his first book of poems, The Slant Door, in 1979. It won the Faber Prize. He has published many since then, his collection, Reel, winning the T S Eliot Prize in 2004 for which he has been twice shortlisted since. His latest book is Mapping the Delta (Bloodaxe 2016). Beside his English prizes he has been awarded various international ones for his own poetry and for his translations of Hungarian poetry and fiction, including The European Poetry Translation Prize, the Best Translated Book Prize in the USA and the Man Booker International Translation Prize for his work on the novels of László Krasznahorkai. His second book for children, In the Land of the Giants won the CLPE Prize for the best book of poems for children in 2012. He has written reviews and articles for major newspapers, programmes for the BBC and has edited a variety of books. His recent work with composers and performers includes poems for The Voice Project and the carol set by Richard Causton for the BBC broadcast Service of Carols at King’s College Chapel in 2015. His memoir of his mother, The Photographer at Sixteen, has just been published, to great critical acclaim.

A major contribution to post-war literature, Szirtes weaves his personal and historical themes into work of profound psychological complexity. – Anne Stevenson, Poetry Review